This work is a production during the artist residency in Nuremberg. The video work focuses on the entirely different destinations of the fire bowls that were placed on top of Zeppelin Tribune in Nazi Rally Ground. Once the strong symbol of power, now the fire bowls again stand with each other, separated with a door. As if each other’s absurd time capsules. The winding path of “object” illustrates the ever changing of human history, represents the worst of human nature in the capability of destruction, discrimination and lies.
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